I
wrote this one Canada Day and have left it up for anyone looking
for a list of "Great Canadian Films
Jeremy Irons, Genevieve Bujold and David
Cronenberg in Dead Ringers
DEAD
RINGERS (1988) - David Cronenberg's strange but true
story about two twin gynecologists who live together and die together
features Jeremy Irons in a marvellously creepy performance that
established him as an intellectual weirdo for the rest of his
career. The props for the gynecology scenes deserved star billing,
as well.
IF
YOU LOVE THIS PLANET (1982) - Along with The
Atomic Cafe one of the great propaganda pieces of the 80s
attacking the nuclear age. Based upon the book by Helen Caldicott,
it is a totally slanted National
Film Board short that won the Academy Award with its emotional,
slamming message. Today Caldicott is a bitter radical. No surprise.
MANUFACTURING
CONSENT (1992) - Canadians do very good straight
documentaries but this one is very stylishly put together. An
examination of the work and thoughts of political critic Noam
Chomksy, this is really one of the great political documentaries
and a staple for media junkies. Chomsky's critique of the mainstream
media's reporting of the United States' influence on human rights
in various countries that fall within its geopolitical sphere
(or out of it) is damning. A very entertaining film as well with
nice devices. The one shot everyone remembers if the big Noam
Chomsky head lecturing down from the jumbotron in a football stadium
about how Americans treat war as sports as football players high
five.
Ian Holm and Sarah Polley in the weighty
but beautifully constructed The Sweet Hereafter
EXOTICA
(1994)- Atom Egoyan's film is structured like rose with each layer
unplucked slowly to reveal the truths of the past. Oddly marketed
as a sexploitation movie, actually it's a film about grief. Bruce
Greenwood stars as a Revenue Canada auditor who has seen his life
fall apart after the murder of his daughter. He returns night after
night to a stripper bar where the pretty Mia Kirshner (the lesbian
assassin in "24") performs for him in a schoolgirl's uniform.
Why he does this is the question. A wonderfully structured movie
and my favourite Canadian movie.
THE
SWEET HEREAFTER (1997) - Atom Egoyan's adaptation
of Russel Bank's novel about a school bus tragedy investigated
by an 'ambulance chasing' lawyer. Egoyan sets the novel in a B.C.
town and uses his same ensemble of actors (Sarah Polley, Bruce
Greenwoood, Murray Chaykin, Arsinee Karijian, Elias Koteas) and
adds Ian Holm as the lawyer. A nicely structured plot that winds
ever inward to expose the relationships and pasts of the villagers.
CUBE
(1997) - basically a graduate film school project by the Canadian
Film Center that turned into a cult SF rental standard. Take
a single rotating cube set, change the lighting and you have a
psychological futuristic mystery about a group of strangers who
wake up in a 3-dimensional puzzle. Avoid the sequel, Hypercube.
Atanarjuat's superb setting and
story
HARD
CORE LOGO (1996) - You can describe this as a punk
Spinal Tap but it's not really
a parody. It's the story of a Canadian punk band that comes together
for one last benefit tour. A road trip film (like other Bruce Mcdonald
films), it is very funny in parts but turns very serious as the
punk band begins to unravel as the trip wears on.
ATANARJUAT:
THE FAST RUNNER (2001) - Last year's festival darling
was the fresh pairing of new technology (digital video) with an
ancient Inuit myth. The stark lines of digital video present the
high contrast beauty of the arctic icescape in an environment
that hasn't seen much treatment since Nanook
of the North (which I have not seen). The story about two
brothers and their conflict with a rival group of brothers is
both brutal and funny. Weird weird humour. It features one of
the most memorable images in film, the naked 'fast runner' of
the title being chased over ice floes by hunters.
BLACK
ROBE (1991) - One of the best films about
Canadian history, Black Robe
came out around the same time as Dances
With Wolves and to my mind is a far superior movie about
aboriginals and definitely avoids the golden interpretation of
Indian lives that the Kevin
The metaphysical torture chamber in Cube
Costner film spoons out. Set in
16th century Quebec, it is the story of a young and fanatical
Jesuit (Lothaire Bluteau) assigned to bring the word of god to
the Huron. To get to the Huron mission he must travel with a company
of Algonquin (lead by August Schellenberg) through epic lakes,
forests and through a cordon of fierce Iroquois. The Iroquois
are skeptical of 'the black robe's attempts to convert them. At
once a gritty survival film and a spiritual, cultural clash, it
is one of the glossiest historical films about Canada you will
see. Impressive photography showing the tiny, liliputian humans
paddling amidst the immense geography that was and is Canada.
CLEARCUT
(1991) - A grim thriller starring Graham Greene (from Dances
With Wolves) about a white liberal who is kidnapped by
an Indian activist and taken for a tour of the forest. The politics
are a bit strange and not very well laid out but there is something
deliciously fierce about Greene's performance. I don't know how
it was received among aboriginal audiences but I wonder if they
cheered when Greene blows away the RCMP and begins carving into
the leg of the white liberal.
Deny Arcand's international hit: Jesus
de Montreal
JESUS
DE MONTREAL (1989) - the sole Quebecois film on
my list (purely because of my own ignorance of Quebec film) is
one of the best known films from Denys Arcand. Winner of the Jury
Prize at Cannes in 1990 it is a modern parable about the life
and sacrifice of Jesus as experienced by a group staging a passion
play. Lothaire Bluteau is the title character. Frequently shown
in religious studies because of its uncynical examination of religiosity
in modern life. Denys Arcand is a past Cannes favourite, having
made a splash previously with The Decline
fo the American Empire and its sequel this year: The
Barbarian Invasions.
32
SHORT FILMS ABOUT GLENN GOULD (1993) - An inventive
and never boring fanciful examination of the life of pianist Glenn
Gould who is forever enshrined in the performer pantheon for his
recordings of the Goldberg Variations. I'm not a classical music
fan (had enough of that learning piano when I grew up) but this
is excellent filmmaking. Indeed, it is 32 short films in one package,
each film encapsulating a certain point in Gould's life or a certain
work. Playing Gould as an adult is Colm Feore who you will recognize
in quite a few international films usually playing a stately middle
aged man. Director Francois Girard also made The
Red Violin.
Other Canadian films worth seeing: HIGHWAY
61, STRANGE BREW, THE NAKED LUNCH, ROADKILL, THE GREY FOX, THE
BAY BOY, VIDEODROME