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ASSAULT ON PRECINCT 13 ... ON MARS
Ghosts of Mars
dir.
John Carpenter | starring Natasha Henstridge, Ice Cube, Jason Statham, Joanna Cassidy
Official site | IMDB

The perfect bad film antitode to a lazy summer night.



There is a certain charm to a film where the lead villain always looks straight at the camera and goes: "arghhhhghhh!!!!" which is about twenty times in this awful John Carpenter movie. Something broke in that man sometime between THE INVISIBLE MAN and ESCAPE FROM LA so all he can make, or rather, remake, is every bad action sci-fi VHS you ever rented when you were a teenager, except released for modern audiences.

That said, I rented GHOSTS OF MARS precisely to bring back that lazy summer night let's watch this awful looking movie feeling and for the most part GHOSTS OF MARS delivered.

Like all good plots it can be rendered into a comparison description. ASSAULT ON PRECINCT 13 meets HEAVY METAL VIDEO. A team of cops patrolling the nascent Martian human colonies arrive at a small mining town to pick up an ultra-dangerous frontier criminal. However, a disaster has visited itself on the mining town rendering it deserted except for a few mutilated, decapitated bodies. It seems that the miners have uncovered a trap set by the original martians that releases evil spirits (wooooh) that take over the minds of extras and makes them into a horde of savage warriors who run around with makeshift weapons chopping and sorting.


Looks nice in black

GHOSTS OF MARS has a cast of semi-recognizable faces who are in costume mostly for the rent-cheque unless you count the very earnest and spectacularly miscasted Natasha Henstridge who, while certainly beautiful, is given the most inappropriate hard bitten dialogue that ever ecaped from the floors of forgotten cop TV shows. Other victims include Ice Cube, who is the obligatory homey in space, SNATCH's Jason Statham to provide another accent into the mix, and blaxploitation icon Pam Grier who seems to be saddled with droog-like futuresprach as well as linebacker sized shoulder padding. In what is essentially a "who dies next" type film, early departure from the film was probably a relief for this cast.

What I like best about GHOSTS OF MARS is the consistent cheapness of the entire film, from the adobe sets, to the OUTER LIMITS-quality special effects and the way all the stunt doubles fly into the air like the baddies from the A-Team every time they're blown up. It really does harken back to the time when I used to cruise neighbourhood rental stores looking for the worst painted box cover with promising titles like METALSTORM and STEEL DAWN, guaranteed that I would get to see what heavy metal video directors did in their spare time.

Indeed, GHOSTS OF MARS is very heavy metal. This is what you get in a film where every extra seems to have been recruited from the pit of Gwar concerts or at least Duran Duran's "Wild Boys" video. Every action sequence begins and ends with a furious speed metal guitar riff. There is also plenty of kerosene blowing up in the background and lots of curious set direction featuring barbed wire, razors and other sharp objects dangling from the ceiling like hippie art. The only thing really missing from this trailer trash assembly is The Rock as a villain who would have been a step up from the leader of this savage horde, a strangely Alice-Cooperish body builder, a send up of a Maori warrior and the Mohawk guy from THE ROAD WARRIOR.

There's not much to recommend in this film apart from the cheapish charm but it does contain the obligatory gore and gunfire. Our heroes mow down hundreds of yelling, charging savages. They have lots of dialogue like: "If one of us gets taken over..." "Yeah, leave them behind." Lots of scenes where they point guns at each other before they agree to band together. There are thrown saw blades, impalings, decapitations, choppings and hackings. And we get to see Henstridge in her underwear. Great stuff to see when you're sucking back a Slurpee and chomping on Doritos.

On DVD

 
 

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