|
|
 |
May
15/03 More
in weblog archive |
 |
|
|
Saddam
and Uday go to the movies
This
is a really funny / scary story about a translator for
a Baghdad TV station whose prime role was to translate
Hollywood movies for Saddam and his psycho son, Uday.
Read it in the Boston Globe >> |
|
 |
 |
 |
 |
May
13/03 More
in weblog archive |
 |
|
|
"Returning"
completed
 |
| Another
completed DVDA challenge |
A
week and more late and I've finished "Returning",
my submission to the DVDA continuous shot challenge posted
by R/Kain. You can read my own criticisms in
my post here. I'm mostly satisfied with the effort
but I wouldn't want to adhere to the 'continuous shot'
requirement so strictly in the future at the cost of a
better composition. The good things: the setting, Dylan's
steadi-shooting, Adri's performance. Elements I would
improve would be the overall length of it (the path was
too long) and my voice over. Anyway,
thanks to everyone involved: Adri, Dylan, Cory, and Keith
Gillard. Click
here to see the Quicktime version (right click and
save as - 26mbs) | Click
here to see the streaming Clipstream version.
|
|
 |
 |
 |
 |
May
12/03 More
in weblog archive |
 |
|
|
Japanese
horror: Ringu, Kairo, Audition, Kwaidan
 |
| Disturbing
imagery, rather than gore and special effects are
distinguishing features of Japanese horror |
Like
a lot of cineastes I've been indulging in the past couple
years in Japanese horror. I'm actually behind the times.
After all, in the time I've been searching out for the
so-called 'cult favourites', Hollywood has already embraced
the influence of the atmospheric chillers from Japan and
has remade one of them - "The Ring".
I
don't have a lot to add to what has already been said
in the many critiques of the submissions of Nakata Hideo,
Kiyoshi Kurosawa and Takashi Miike, among others. Their
common thread really is a grounding in imagery, rather
than in gore. What they come from are classic ghost
stories that rely on the slow creeping realization of
a impending horror rather than in a chase. You can see
some of the source in the classic Kwaidan,
the elegiac trilogy of medieval ghost stories; slow-paced
but enticing the viewer into watching every bit of the
frame for the horrible truth.
The
other common thread is in digging up the past. There is
the obvious link to ghost stories
 |
| Audition:
Fatal Attraction will seem so boring after you see
this one |
again.
In the Ringu,
which I saw last night, the protagonists are searching
for psychological experimenters who may have created a
tape that somehow kills the viewers after a week. Like
Ringu, Kiyoshi Kurosawa's
Kairo (eng. Cure) examines old archives,
video and film archives that point to illegal or long
buried experimentation. In an older form of the ghost
story, searchers look through dusty books or manuscripts.
In the new Japanese horror, the protagonists scan video
frame by frame to search for a clue to the present-day
haunting. Takashi
Miike's Audition
is one of the more grisly but also more pleasurable
of these films I've seen. Pleasurable, in the way that
it evokes a reaction from the audience. This is a film
that had me shouting at the screen: "no no no!"
and had my friend Jeff squirming in his seat. Audition
starts out very traditionally. A widower sets up an
audition of actresses as a pretense to finding a new
wife. That in itself makes it one of the more accessible
of these films, however, when the protagonist gets more
than he bargains for, anyone who was drawn in by the
maudlin aspect of the romance will be floored by the
incredible ending. |
|
 |
 |
 |
|
|
|